Neo-Platonics Basics

I've compiled the Neo-Platonics Basics series into yet another eBook available over on the right. The original blog posts are still available in the history, and on www.rufusopus.com, but for those who like eBooks to print out and have, it saves you some editing.

For those who have signed up for the course, DON'T BUY IT. You'll get a copy as part of the course.

3.2 - Using the Glyph in Practice

Once the Altar was laid out appropriately, methods of using the Glyph in practice came naturally.

The binding of the Demonic Kings immediately cut off a great deal of mischief in my life. People at work that were obstacles to accomplishing my work suddenly became too distracted doing their work to give me grief, and began giving me the information I needed to do my job quickly to get rid of me. The kids behaved better. My spouse and I understood one another better. I quit running over curbs. (This is a big deal. For some reason, I've been running over curbs a lot in the last few years. It twisted the frame of one van, and popped the tire of another.)

The placement of the elemental Kings in their appropriate locations (that is, not the traditional GD quadrants) brought me into harmony with the tiny parts that go into the moments I experience. The first few days, I had supra-luminescent vision, that transcendentalist-painting-vision, where the underlying divinity of all things is bursting through the edges of the forms they're wearing to manifest in. I performed (successfully) workings within the elemental kingdoms for the first time in my magical career since leaving behind the 21 Lessons of Merlin. (Don't read it.)

My elemental weapons have gained a "shine" to them that wasn't there previously. I don't feel at all silly using the wand or dagger like I used to. They've become a natural extension of my Work. The Elemental realms themselves appear at the edges of my Altar space in the astral temple I use. My favorite is Raphael standing on the windswept mountains of the West. Reminds me of Colorado.

The Planetary Talismans... Well, let's just say things are going as well there as they are everywhere else in my Work. I've been doing a lot more Work with Michael in the Sun for others as part of the Solar Attunements included with the Genius rites I have performed for people, and it's been... wonderful. I can't recommend highly enough the importance of having a talisman for each planet on your altar arranged in the right place. Wonderful.

Enough of the Bliss. It's good, trust me. But the practical benefits are awesome too. Having the Talismans in their appropriate place in the physical representation of my magickal sphere has resulted in the effects of those planets integrating in ways I didn't expect. I can be fifty miles away from home at work, and feel a planetary influence, conjure the archangel or one of their legions, and receive something I need right then and there. The communications are bi-directional, and the results are cumulative.

3.1 - Putting it all Together: The Altar Layout Revisited

The first thing I did, being the pragmatic Tech-writing Taurus that I am, was to draw up the Glyph on my computer. It's easier to do concentric circles and save them as images in Visio. What I ended up with is this:

As you can see, there aren't seven circles for the spheres of the planets, or four for the elements as you might expect. I drew out all the spheres in earlier drawings, but they're just too big. This suffices, and it has a circle for each of the primary items one works with as an incarnate magician.

The inner three circles represent the sphere of the incarnate magician. They are divided into four quadrants, one for each of the cardinal points. In the innermost circle are the four Demonic Kings of the corners of the world. The brackets here represent their influence upon the magician being bound. Surrounding them are the Four Angelic Kings of the four corners of the World. These angels bind the influence of the Demonic Kings from the sphere of the magician. In the circle around the angles, I placed the elements as presented in Agrippa's Scale of the Number Four.

In the outermost circle are the planets. The order is very specific. If you look at the table in Agrippa's Book 2, Chapter vii, you'll see why they are placed where they are placed.

The order of the planetary spheres as the spirit descends into matter is Saturn-Jupiter-Mars-Sun-Venus-Mercury-Moon. However, we're already incarnated, and when we look up at the spheres from the world of manifestation, we'll see them from the perspective of the material realm.

Placing the planets in their respective quadrants as seen from below represents understanding the place of the incarnated magician in the cosmos. We are spirits, sparks of the Logos, of the Race of Gods. Our origin is from beyond the stars and the planets they influence. Yet our home, our sphere of influence is the material realm. We transcend through the realms of the planets to return to God, yet we retain our places in the manifest world, anchors, as it were, for the power of God to return with us to this realm.

Not to get all loopy or anything. There's only so much theory and metaphysics I can personally stand. It doesn't mean anything if it doesn't affect anything, in my opinion, and it was vitally important to get the harmony represented in the Glyph grounded in my sphere.

Where is the magician's sphere represented physically? Their altar, of course. It holds their elemental tools, the symbols of their authority over the essences that Plato taught combined to form all things. It's also the Table of Practice, the key to working with the spirits of each realm. It represents the access point for the Magician. It's the pivotal point between the realms Above and the realms Below. It represents everything spiritual in the magicians manifest realm.

So I took the Key to Everything represented in the Glyph and put it in place on my altar. The first thing I did was bind the Demonic Kings in miniature Spirit Pots. Then I created miniature talismans of the Angels of the four corners of the Earth using the Kings of the elements in the Rider-Waite Tarot deck. Beside each of these cards on the Altar, I placed the Elemental weapons associated with the Corner. That was great for the physical sphere.

For the planets, I placed the seven talismans in the layout in the outermost circle of the glyph. Outside the circle of the planets, I placed my Lamp, to represent the Source of all, the True Father, the Speaker of the Word who dwells in perfect darkness within the source of the radiating Light.

Immediately I began to see the effects of cleaning up my altar space on my Work. The Spirits of the planets come more quickly, and every aspect of my life has been drawn into an increasing harmony. My credit has cleared up, my job has become more secure, communications that were blocked are open now. Questions I have are resolved quickly and "miraculously."

Everything isn't perfect, of course. We're still in the manifest realm. But I do have an insight and a position of stability and authority from which to oversee the sources and interactions of the forces behind the scenes in my life.

Life is truly Good.

3.0 - The Glyph

Long ago, and far away, I began this series on the Neo-Platonic system. It began because I wanted to share the background that had lead up to the satori experience I had while studying Agrippa's table on the Scale of the Number 4 (Book 2, Chapter 7 ). Everything I had been studying all came together in that moment, and the result was a compelling urge to map out what I was seeing on paper. Working into the wee hours of the morning with a compass and some folded paper to serve as a straight edge (the kids had broken my ruler), I ended up with a Glyph. This Glyph embodies the Great Work of the Magician, the realms of the spirits we work with in the material realm, the spirits of the seven planetary realms, and the role of the magician balanced in between the Above and the Below.

Pretty neat, in my opinion. Not long after receiving it, I posted the information everywhere I could. I thought that just looking at the Glyph would bring instant Illumination to everyone who saw it. When people looked at it and said, yeah, ok, neat, and went on with their lives and Work, I thought they just didn't have the background to see the awesome impact this Glyph can have on Ceremonial Magicians. Taking what it represents, taking the keys that are summarized in its concentric circles and the perspective of the layout, and putting it into practical use results in complete and total control of all things material and spiritual, from an enlightened and beneficent place of authority in the cosmos.

So I labored on the different sections of this work with the goal of bringing everyone this power, illumination, and understanding of Life, the Universe, and Everything.

Since the time that I got this Glyph, I've been using it to great effect in my Work. It really does do everything I thought it would do. But I've realized that it's not going to be for everyone.

Understanding now that this is a personal revelation, I've been putting off wrapping up the series. I intended it to be a climactic culmination that brought everything else together and sparked a mass enlightenment experience that spread like wildfire through my audience that has grown to a global scale. I no longer expect that to happen, but nevertheless, I hope this serves to at least inspire some of you on to your own Glyphs, your own empowerment, and your own harmony.

2.7 - The Genius and the Evil Daimon

The Genius and the Evil Daimon are entities with a long history in the Western Mystery Tradition. The idea of the good and evil spirits assigned to people is so ingrained in the American culture that I grew up watching cartoons that frequently showed a character with a little angel with a harp on one shoulder and a little red devil with horns and a tail on the other, each giving the person advice. More often than not, the character would listen to the devil. How typical of mankind.

2.7.1 - The Genius

The term "Genius" as I'm using it in this post loosely comes from Agrippa's Third Book of Occult Philosophy, chapter xxii. Technically, "Genius" is supposed to refer only to one part of the three-fold good Daimon that preserves the person it's assigned to. The three parts are the Holy part, which is roughly speaking the Holy Guardian Angel (HGA) of the Abramelin ritual, the Genius or "Nativity Angel," a Spirit whose nature is determined by the placement of the stars at birth, and the Daimon of your Profession, who influences how successful we are at our chosen line of work. Agrippa refers to all three parts singularly in the title of the chapter, "That there is a threefold keeper of man." Since it's a singular entity, and he only gives instructions on deducing the name of a Genius, and not the HGA or Professional Demon, I'm referring to all three parts of this one entity as the Genius.

The earliest reference to the Genius that I've found so far is in the Corpus Hermeticum, written in Hellenized Egypt. In The Divine Pymander, it says:

54. I (the LOGOS, Pymander, shepherd of Men) ... come unto men that are holy and good, pure and merciful, and that live piously and religiously; and my presence is a help unto them. And forthwith they know all things, and lovingly they supplicate and propitiate the Father; and blessing him, they give him thanks, and sing hymns unto him, being ordered and directed by filial Affection and natural Love. And before they give up their bodies to the death of them, they hate their senses, knowing their Works and Operations.

This is the Logos talking about how he works with those who are pious. While it might look like a bit of a stretch, the Logos and the HGA are of the same Spirit. In Agrippa's record written roughly 1200 years later, this corresponds to the Holy part of the Genius. Agrippa frames it thus:

The holy Demon is one, according to the Doctrine of the Egyptians, assigned to the rationall soul, not from the Stars or Planets, but from a supernaturall cause, from God himself, the president of Demons, being universall, above nature: This doth direct the life of the soul, & doth alwaies put good thoughts into the minde, being alwaies active in illuminating us, although we do not alwaies take notice of it; but when we are purified, and live peaceably, then it is perceived by us, then it doth as it were speak with us, and communicates its voyce [voice] to us, being before silent, and studyeth daily to bring us to a sacred perfection. Also by the ayd [aid] of this Demon we may avoid the malignity of a Fate...

Agrippa says of the Genius specifically:

...when the soul is coming down into the body, it doth out of the quire of the Demons naturally choose a preserver to it self, nor only choose this guide to it self, but hath that willing to defend it. This being the executor, and keeper of the life, doth help it to the body, and takes care of it, being Communicated to the body, and helps a man to that very office, to which the Celestials have deputed him, being born.

In other words, the Genius is what can guide you to the roles and responsibilities you are incarnated to accomplish.

In addition, being the only part of the threefold keeper of human beings that you can get the name of from your horoscope, the Genius can also be used to establish conversation with the rest of the threefold keeper, including the HGA and the Daimon of your Profession. By "used," I mean you can converse with it through conjurations and establish a relationship, discovering the things that are needed to be done in your life to prepare you for the next step in your Work.

As you Work with your Genius, a momentum builds up. You don't have to choose to be a decent, pious person always choosing to do good and be kind to small furry animals, or help old ladies across the street. You don't have to choose to be offended by injustice when you see it. You don't have to try to find wisdom or insight in your studies. And you don't have to make yourself seek your Race and Value in God.

Instead, you find yourself naturally doing these things. You find character flaws revealed, and the means to change them. You find yourself naturally pursuing Virtue over Vice. You stop sabotaging your progress towards your goals, and you find yourself knowing and understanding things intuitively about yourself and others around you. Glimpses of the future come in sureties felt in evaluating potential outcomes of situations. Mysteries unravel before your very eyes.

This spirit's influence on your life can be enhanced through practical exaltation of the spirits name, which I'll discuss below.

2.7.2 - The Evil Daimon

Heading back to The Divine Pymander, it goes on to say:

56. But to the foolish, and evil, and wicked, and envious, and covetous, and murderous, and profane, I am far off, giving place to the revenging Demon, which applying unto him the sharpness of fire, tormenteth such a man sensible, and armeth him the more to all wickedness, that he may obtain the greater punishment.

57. And such an one never ceaseth, having unfulfiled desires, and unsatisfiable concupiscences, and always fighting in darkness; for the Demon always afflicts and tormenteth him continually, and increaseth the fire upon him more and more.

Here is the Evil Daimon, sent by God to punish the wicked with insatiable desires. My experience with this entity leads me to believe that this Demon drives you to the point where you have to turn to God to find relief from your passions, or die of despair or overdose. If you refuse to do so, when you die you return as a more brutish man, or an animal, or even a plant according to Plotinus. The further from God you turn in your life, the further from God you result in your next, each incarnation resulting in less and less opportunity to turn from God until you are a plant with no choice but to turn to the Sun to live.

People always have some degree of a relationship with this spirit. Like the cartoon characters listening to the little red demon on their shoulder, we have spent our lives listening to and following the advice of the evil daimon. A momentum builds up with the Evil Daimon just like with the Genius, and soon you find yourself surrounded by chaos and madness, if you give too much into the temptations this spirit whispers to you.

Like the demons discussed in Section 2.6, The effects of the Evil Daimon can be curbed.

2.7.3 - Working With the Genius and the Evil Daimon

To Work with these entities, the first thing you'll need is their name. These are discovered through your horoscope, as discussed in Agrippa's Three Books of Occult Philosophy, Book 3, at the end of chapter xxvi:

There are also the Arabians, and many others, and some Hebrews, who finde out the name of a Genius by the places of the five Hylegians, and making projection alwayes from the beginning of Aries, and the letters being found out according to the order of Hylegians with the Astrologers, being reduced into a known order, and being joyned together, make the name of a good Genius: but they draw the name of an evil Genius from the opposite Hylegian places, projection being made from the last degree of Pisces against the order of signs.

Ok, did you catch all that? No? Well, fortunately I’ve got a spreadsheet I use to make the process a little easier. I don’t know how the renaissance magicians managed without the power of modern technology.

I’ve got all the Hebrew letters associated with the degrees for the Good Genius and the Evil Daimon lined up with their appropriate degrees. To determine the name, you get a horoscope of the your birth, and write down the degrees of the sun, moon, ascendant, and part of fortune. Then you find the syzygy, and that’s the fifth letter of the name. The syzygy is the location of the moon at the closest full or new moon to the date you’re charting. To find this, you get another horoscope of the time of the nearest full or new moon, and write down the degree the moon is in. Pretty simple, eh?

No, not really. It’s a bit of a pain in the hindquarters, honestly. But this is worth it.

Once you've got their names, you can conjure and commune with your Genius by creating a Lamen of the spirit. Spell out its name in Hebrew in a circle with the names of God written around the perimeter. I use the Celestial Script from Agrippa, and the Lamen looks like this (That's YHVH in the script, you'd need to change the name to use it):

Poke a little hole in the top, and you wear it during the ritual. Conjure the spirit in a crystal or other scrying medium and you're all set.

On the flip side, you've got the Evil Daimon's name. I intend to bind mine in a lead-lined spirit pot.

In fact, I've got this idea for a multi-purpose talisman. I've got a log that I'm carving to serve as a means to exalt the Genius and bind the Evil Daimon at the same time. I'll be burning incense and candles in the top where the Genius name is inscribed in gold leaf, and the Evil Daimon will be bound in the hollowed-out, lead-lined base.

It should look something like this when I'm done:

2.6 - Them Pesky Demons are at it Again...

In the Neo-Platonic tradition, in the grimoires that comprise it, in the writings of Hermes Trismegistus that frame it, and in the writings of Agrippa that provide the most comprehensive resource of the modern occult, there are mentions of demons, maleficent spirits that cause trouble. I would personally rather believe that all spirits are basically neutral, and they don't have any ill will in and of themselves towards humanity. Unfortunately, the Neo-Platonic writings (and my experience) fail to support this belief.

Going back thousands of years, mankind has known that there are spirits that are out to make life miserable for humans. It's in the Bible, the Hesiod, and in the African Traditional Religions. From the steppes of Siberia to the Amazon rain forest, shamans deal with evil spirits every day. Modern cultures have lots of rational ways to explain away the existence of demons, from anti-Christian rhetoric that says the Church is to blame for misrepresenting gods of other cultures (which is true, to a degree), to psychological models that say they're all in our heads (which is also true, from the perspective implied by the notariqon ARARITA). Regardless of the veracity of these explanations, the pragmatic truth is that if you are doing magick regularly, you will run into spirits that will behave as if they are Demons.

2.6.1 The Role of Demons

Fortunately, we have the benefit of thousands of years of occult research on our side. We know from sources like the Bible and the Divine Pymander that the evil spirits are under the authority of God. If you're into paganism, you'll find in the story of Pandora's box that evil spirits contained in a divine spirit pot were sent to plague mankind by Zeus after Prometheus gave us fire. They're serving god. In the Divine Pymander, Pymander tells Hermes that the Evil Daimon is sent to the impious to drive man further away from the Logos by filling the senses with desire for more sensations than can ever be appeased. In the Bible, evil spirits are sent to set up kings to fall, to reveal the glory of God.

They are sent by God into the world to wreak havoc in the lives of those who are ignorant of God. Their primary victims are those who have grown ignorant of their Race and Value in God and instead of seeking their Source, people who seek satisfaction in the things of the material world. Demons serve as tempters, bringers of illness, and they serve to create situations that result in spiritual advancement. They perform evil acts, but they do them to draw people closer to God.

2.6.2 How Demonic Influence Manifests

In your life, you're going through all kinds stress that I can't begin to know about. Job insecurity, financial woes, emotional problems, and sickness plague us all. Most of the people reading this blog have it pretty good compared to poorest of the poor on the planet, but that doesn't make the problems we face any easier to bear in the moment.

I don't believe every bad thing that happens is the result of a demon, but they do happen to be present every time bad things happen. I'm sure it's a coincidence, really. They could just be attracted to bad things... sure... that could be it...

Alright, I really do think all bad things that happen are the result of demonic activity. I'm a Christian, for Christ's sake. "We wrestle not against flesh and blood, but against powers, principalities, and wickedness in high places." It's the simple truth.

They set the stage for pain and suffering, they sit at the edges of our sphere whispering thoughts that sound a lot like our own, speaking fear and doubt and anger and anguish and despair into our minds. They entice our senses with lights and shining things. They use the people at work like pawns to challenge us, to bring us to the brink of catastrophe. They influence kings, presidents, princes, senators, congressmen and women, people in power across the lands of the earth to create a realm that will drive those with an understanding of their race and value closer and closer to the Logos within.

Pretty nasty, really. And as annoying as hell.

2.6.3 How to Deal with the Bastards

Demons are under God's authority. God's within. We deal with spirits in every ritual. We have the names of the demonic princes from Agrippa's Book 2, chapter 7. We know how to make talismans and spirit pots. They can only do what they're allowed to, and God sets the boundaries.

The fastest way to lessen the effects of the evil spirits is to put the Demonic Kings in spirit pots and bind them with melted lead sealed with the Names of the four Elemental Kings. I've got a makeshift version of this on my altar at the moment. It hasn't completely eliminated bad things from happening, but it sure has cut down on the extremes of my emotional reactions to bad things when they come. That in itself robs the demons of their powers over us and our lives.

2.5 - Spirit Pots

I hope you enjoyed the update on the Bune spirit pot earlier. That particular vessel is an example of the brass vessel described in the Goetia within the Lemegetton. The Lemeggeton is a Solomonic grimoire, and like all the grimoires I've seen, it is fundamentally rooted in the Neo-Platonic system we've been discussing. Personally, I place the spirits of the Goetia in the elemental realm, mostly within the sphere of the Aire.

Spirit pots are an interesting subject. I don't think they are the specific product of the Neo-Platonic system, but like the brass vessel in the Goetia, they certainly fit nicely into the scheme of things. In Greek mythology (at least in Hesiod from over 500 years before Christ), there's the story of Pandora's "Box," which in the original Greek was a jar. The jar as a vessel for trapping spirits can be found in many cultures, and frankly, I can't tell whether it originated in one culture and traveled, or if it's a universal constant across all cultures. The use of pots to contain spirits or their effects can be found in Persian stories in 1001 Arabian nights (along with rings), African Tribal Religions, Hesiod in the Greek traditions, and even in the Bible in the form of the Ark of the Covenant. (Ok, that might be stretching it a bit, but functionally, it's the same thing.)

The reason I bring up the spirit pot in the context of this system is because it's going to play a significant role when I get back to the Glyph.

My understanding about spirit pots in Palo and Hoodoo practices is that they are usually homes for spirits specific to the magician. That is to say, the spirits in a Palo or Hoodoo pot aren't going to be conjured at any given time by three or four hundred magicians reading from the same grimoire. I don't know how many magicians are working with Bune at any given time, but I've talked to at least three other magicians who have worked with Bune, and God knows how many other mages or would-be demonologists are summoning Bune right now.

Spirit pots can be made for any spirit. They generally seem to function like an icon to a saint. Burning candles in its vicinity with a statement of intent results in a manifestation of the desired outcome in the way the Spirit interprets the request. For instance, asking to get a specific dollar amount has resulted in Bune providing a huge series of very lucrative opportunities in my chosen line of work. Bune hears the request and goes about manifesting it according to his role, his designated nature. It's like the dollar figure gets filtered through a Jupiter-Sagittarius screen and then manifests in my physical sphere.

Other manipulations of the spirit pot have provided results that have led me to the conclusions I currently hold. Polishing the lid resulted in clearer manifestations. Placing it in an exalted status on my altar by putting it on a stand resulted in more authoritative results. I went from working with co-workers on projects to working directly with management. The spirit pot has given me the ability to fine-tune my interactions with Bune in a way that I wouldn't have had otherwise.

Making a spirit pot is easy. A friend made one out of a paper box. All you need is a container, the means to get the spirit's attention, and something to inscribe the appropriate seals around it to influence the Spirit's activities in your sphere. I prefer metal containers for their durability. I like to inscribe metal with my dremel tool. It's fun. The Spirit's representation should be at least its name and/or its seal. Any corresponding materials that are in tune with its nature can be included. I have dirt and rocks from my local bank in Bune's pot, along with things from the same line of 777 that Crowley puts Bune on.

The names that constrain the Spirit's influence should be representative of the macrocosm. Ideally, all seven classical planets and the Primum Mobile should be represented in your work with the Spirit. For example, the names on the front of the Mathers-Crowley version of the brass vessel in the Goetia are "AShR AHIH: GBRiAL: MIKAL: HANIAL:". From the GD interpretation of things, these are the God-Name of Kether, the GD Archangels of the Moon, Venus and Mercury. On the back is the notariqon ARARITA (One is His Beginning: One is His Individuality: His Permutation is One) followed by ChShMLIM, the name of the order of angels of the Sun, and Tzadkiel, the Archangel of Jupiter. Mars and Saturn can be found on the Secret Seal of Solomon, and Michael on the Triangle of Art.

At the very least, the Spirits in charge of the Spirit you're working with should be inscribed somewhere on the pot. This ensures the Spirit is constrained to operate with your best intentions in mind. This is more important with the troublesome "demonic" entities than with the neutral or angelic spirits, but it can never hurt.

2.4 - Elemental Kings

Ahh, the Elemental Kings... I'm just going to jump into this with minimal preamble. It's been a long week already.

In the Second Book of Occult Philosophy, Chapter 7, Agrippa provides a table that presents the Scale of the Number Four. In this Table, the Kings of the elements are listed as the Four Angels ruling over the corners of the world. Under them are the Four Rulers of the Elements, the Four Princes of Spirits, and the Four Princes of "Divels, offensive in the Elements."

	Fire	Air	Water	Earth
Four Angels ruling over the corners of the world.	Michael	Raphael	Gabriel	Uriel
Four rulers of the Elements.	Seraph	Cherub	Tharsis	Ariel
Four Princes of divels, offensive in the Elements.	Samael	Azazel	Azael	Mahazael
Four Princes of spirits, upon the four angels [angles] of the world.	Oriens	Paymon	Egyn	Amaymon

2.4.1 - Four Angels - The Kings

Personally, when I work with the Kings of the Elements, I prefer to work with these Angels. I've got an angelic connection in general with my Work, and I figure if it's working as well as it is, why mix things up?

For years, I've thought the LBRP got the angels from the Bedtime Sh'Ma, a Jewish version of "now I lay me down to sleep." I was very pleased to discover they are also considered the angels of the corners of the Earth in Agrippa's system. The GD got most of their stuff from Francis Barrett's The Magus anyway, and that was plagiarized from Agrippa almost 100%. Seeing the angels here as the Kings of the Elements has helped me further understand that Angels can share names without sharing their personage. I mean, Michael, King of Fire isn't going to be the same as Michael Governor of the Sun. There are similitudes, of course, but that doesn't make them the "same" being. Even if they were the same being, in the office of the King of Fire, Michael will not be behaving as the Governor of the Sun.

One nice thing about discovering these guys are the Kings of the Elements is that I've been doing the LBRP in ignorance for years. I've managed to build up as decent a relationship with them as can be hoped for, considering the depths of ignorance I was wallowing in.

2.4.2 - Four Rulers of the Elements - Angelic Orders

If you look at the sigils of the ten countenances of God in the Magical Calendar, you'll see that the names of the angels ruling the planet/sphere are written on one side of the talismans along with the names of their respective Angelic Orders. I believe these are the Orders from which each Angelic King draws their legions of helpers. In working with these spirits, I'm placing the names of the Angels on their talisman along with the name of the Order of Angels presented here.

2.4.3 - Four Princes of "Divels," Offensive in the Elements

These spirits represent the malefic aspects of the elements. While Michael might represent a controlled flame, like a candle or a hearth, Samael would represent a burning house. Both are aspects of Fire, and it is important to note that the Princes of Divels are under the authority of the Kings of the Elements.

2.4.4 - Four Princes of Spirits

These four Princes represent the "neutral" spirits of the elements. They are like the worker bees of the elements, in my experience. They, and their assigned legions, are the ones that oversee the manifestation of the elemental manifestations of the directives of the spirits higher up in, uhm, hierarchy.

2.4.5 Working with the Elemental Kings and their Princes

Now, with the above overview in mind, and remembering the way magicians work with the hierarchies of the spirits, a multitude of possibilites becomes available to the resourceful magician. In terms of the Great Work, we know from the Divine Pymander chapter of the Corpus Hermeticum that the Logos (manifested as the HGA in my interpretation of this system) abides with the righteous and sends an evil Daemon to confound the impious through their sphere of sensation, causing them to be further removed from their memories of their race and value as manifestations of God.

Later in the series, I'll be getting into more practical work with the Kings that specifically relates to the topic of the four Kings and the eight Princes listed by Agrippa.

I did a ritual the other day with the Four Kings that has shed a lot of light on the subject in general in my personal Work, and I'll be posting about it separately.

2.3 - The Joys of Making Talismen

Sorry about the hiatus. It's been a long couple of weeks. Don't conjure Jupiter spirits for wealth and prosperity if you don't want to work your tail off.

On with the Joys of Making Talismen!

Note: A friend suggested that the plural of talisman is talisma. Dictionary.com says it's Talismans. I prefer Talismen, because it makes me think of them as little "men," entities in their own right. However, I make fun of people who would rather be wrong because they like it better, and hypocrisy has been rearing its ugly head in my sphere too much recently. I'll leave the title for consistency's sake, but going forward, it's "Talismans."

2.3.1 - What's a Talisman?

A Talisman is a symbol or seal inscribed or drawn on an item in order to attract the forces represented by that symbol. In Solomonic work, you can draw a seal of a spirit on paper surrounded by the appropriate names of God or what have you, and that is a talisman. Solomon's Ring is a talisman. My Spirit Pot is a talisman. Franz Bardon's Fluid Condensers are talismans. Your consecrated elemental weapons can be considered talismans. A talisman is any physical representation of a spiritual force or being that draws the powers of that force or being into the manifest realm.

My favorite talisman story is Joseph Smith's (thanks, Scott!). He carried a tin Jupiter Talisman drawn from Agrippa's planetary tables with him wherever he went. I think there's a record of it on his person when he was arrested on the way to Utah with his Mormons, and he was wearing it when he died.

2.3.2 - What is a Talisman good for?

Talismans are used for a number of things. Agrippa has the planetary tables that can be inscribed on their appropriate metals, and these will bring healing, joy, love, martial prowess, or whatever planetary energy you're interested in drawing down at the moment. The astrological weather is important to consider when inscribing these things though. A planetary talisman is a long-term snapshot of the qualities of the rays of that planet when it was created. I have a Mars talisman I created while Mars was in Sagittarius and nicely aspected by other planets.

In the previous post, I talked a little about how we work with the planets using their Intelligences and Spirits. A key way to get these guys' attention is by calling them by name while holding their planetary talisman in your hand. The Talisman is already drawing the forces conducive to the spirit's manifestation, and when you conjure it by name or seal, it's easier for that spirit to appear. That's great for specific Workings, but there's a more sublime purpose behind creating talismans in your pursuit of the Great Work.

If you've read my book, A Modern Angelic Grimoire, you know about the Table of Practice. The Table of Practice I discuss in that book is based on the one from Trithemius' Art of Drawing Spirits into Crystals. A magician conjuring a spirit places their skrying media (a crystal ball or bowl of water, for example) in the center of the Table. The Table has the seven planets' symbols and the names of the angels that rule them around the outside edge, the names of the four angelic elemental Kings, and a Triangle with symbols in the corners:

From a friend in Australia, I learned of a more elaborate Table of Practice described in the Ars Paulina. She created a beautiful Table of Practice, painting the seals of each planet on wood, then coating it with a few coats of polyurethane. It's incredible.

I had been making various talismans for specific Workings, a couple of lead talismans to bind some wandering spirits for my mother-in-law, and a Michael talisman for some other exorcism rituals, and it "occurred" to me to create a talisman for each of the planets that could be easily transported, a portable Table of Practice and seven specific talismans of each planet for specialized planetary work. I did so, and as I completed each of the talismans, the beams of that sphere would be focused directly into my own sphere. When I had finished the seventh talisman, I had a complete microcosm of the planetary spheres. Shortly after this, I received an epiphany, which will be discussed in more detail when we get to Section 3.0. For now, know that putting the talismans together in their appropriate places on your altar space creates a harmonizing and stabilizing effect in your sphere, and serves as a long-term ritual that continues to adjust and attune your sphere as you go on about your business.

The Table of Practice, by its very existence, eliminates the necessity of the pentagram and hexagram rituals of the Golden Dawn. It takes longer to make, but the investment of time and effort takes place early on, and the return on the investment is awesome. You end up with the permanent effects of the pentagram and hexagram rituals in your sacred space.

2.3.3 - Making the Talismans

When you make a talisman, you are interacting directly with the spirit that rules the forces you're "trapping" in the object. The result is a change in your own sphere in relation to the forces you're working with. You get a little wiser, a little more knowledgeable. At the same time, as you're engraving the metals, or smelting the alloys, or sanding the nearly-finished product, you receive guidance, instruction, and are led to insights about the nature of the entity or forces you're working with. It's a very contemplative and meditative exercise that requires long periods of trance-state brain activity. Making a talisman results in taking a step in the Great Work.

Making talismans is fun, too. I use a dremel tool, fiberglass resin, the metals of the planets (Lead, Tin, Iron, Gold, Copper, Mercury, and Silver), wood, and other appropriate materials. I've learned a bit about metallurgy, wood carving, embossing, and how not to use a propane torch in your kitchen. There are risks associated with heavy metals, like lead and mercury, and risks associated with natural things, like the toxicity of Yew, and proper precautions must be made. This should never keep you from making the talismans though.

Taking the proper precautions is part of the experience, and teaches you aspects of the planets the metals represent as well. Saturn inappropriately concentrated in your sphere will have the spiritual equivalent of the effect of inappropriate amounts of lead in your body. Integrating the Moon into your sphere has a similar effect to drinking silver nitrate, and combining the lunar energies with solar energies inappropriately will block the ability to absorb and process the solar powers, the same way silver nitrate blocks the ability of the body to process sunlight into Vitamin D when you go into the sunlight after taking too much silver.

The process I follow when I make a talisman consists of identifying an opportune time astrologically, when the planets associated with the talisman are well aspected. Then in the right hour, I'll conjure the appropriate spirit, and then perform the Work required to make the talisman. While I'm working, the spirit communes with me, and that interaction is wonderful. Then when it is finished, I've got a physical representation of the powers I want to work with. Then I can use it at the right time.

When I do a solar rite, I'll use my solar talisman. Right now, for instance, I've got a stand with a picture on it over the top of an orgone generator that's resting on my talisman of the Sun. The Talisman's forces are being focused up through the orgone generator, enhanced by the properties of the generator, and then "beamed" into the picture. It's an entire ritual performed without requiring the conjuration of any spirits, or the drawing of any circles, or the waving of any elemental weapons.

That's the beauty of talismans, but at the same time, you don't want to make a talisman for every magickal act. There are occasions where you don't need a permanent or even long-term representation of a spiritual force. It's tempting to make a talisman for every spirit you want to work with, but ultimately you'll end up with a few hundred talismans and nowhere to put them. As your ritual space becomes more and more cluttered, your life will get more and more cluttered. Use good judgment in determining what you really want the talisman for, and remember it's a long-term investment.

I've got this spirit pot with Bune in it, for instance, and I. will. for. the. rest. of. my. life.

Unless I decommission it.

2.3.4 - Decommissioning Talismans

When you're ready to move on to the next step, you can decommission the old talismans you've got hanging around. When creating them, you poured a lot of time and effort into identifying the seals and symbols required, gathering the elements, and putting them together. Some indications that it's time to decommission the talisman are that it has accomplished its desired outcome, or you've discovered the properties of the forces you worked into the talisman aren't in harmony with your intent. The spirit of the talisman might be directing you to decommission it, or you might be prompted by your HGA to eliminate this force from your sphere. When these things happen, you need to break the talisman down to its component parts and thank the spirit of the talisman for its work. For metal talismans you've engraved, melt the metals again to restore them to their "blank" state. Wood materials you can burn and scatter the ashes somewhere where they will be sent to the ends of the world, like a convenient river or a stiff breeze. Paper talismans should be burned as well.

Note: Mercury and lead cannot be dumped in nature. You've got to extract Mercury and store it properly in glass or iron. Lead you can melt under a filtered ventilation system, and reuse later.

Tin and copper and any other planetary metal can be pretty easily melted using a propane torch and some creative research on Google.

If you can't melt your talisman, like if it's iron that you've engraved, you can file down the images, and then sand them down until the iron is blank. Drop the lump in some salt for a while too, or anoint it with Holy water. Try to keep the materials you've put into your talismans, if possible. You'll have another use for them eventually.

2.2 - About those Planets...

In Section 1, we established that the planetary spheres represent aspects of God radiating down from the highest heavens into the manifest realm. Each sphere has a governing spirit and legions of spirits that are responsible for manifesting the aspects of that sphere into the material realm, and specifically into the sphere of the magician. We also established that these governors are under the authority of the Logos, and that the Logos is within every magician. Consequently, the Governors of the planetary spheres are under our authority as magicians.

In order to access this authority, we must first get to the point where we reclaim our Race and Value, as Plotinus put it. There are various means to accomplish this. My personal favorite is being Born Again in the Spirit, but I'm a ecstatic Christian, so what can you expect? The major downfall of this method is that the best environment for receiving this rebirth, or "baptism of the Holy Spirit" is in a fundamentalist charismatic Christian Church, and while the spirit of God is awesome, the people in the churches... well, they aren't exactly... centered. Usually.

Within the Western Mystery Tradition (WMT), other means exist. Knowledge and Conversation with your Holy Guardian Angel (K&CHGA) is one way. I personally believe this is a necessary first step in every magician's practice. Once this has been accomplished, you're guaranteed access to the Governing Spirits of the Planets, and you can begin to work with them to harmonize your sphere with theirs, thus eliminating the stumbling blocks in the areas of your life that are governed by their assigned rays. Integrating the powers of the planetary spheres into your own sphere results in progress along the Great Work, the elimination of character flaws that hinder your satiety, and wisdom in the realm governed by that particular sphere.

For example, if you're chronically unlucky in business, this could indicate that you're out of tune with the sphere of Mercury. In such a circumstance, you would conjure the Governor of Mercury, and ask it to integrate the powers of Mercury into your sphere. Soon after the ritual, you'll find that patterns of inappropriate behavior become apparent in your life. When you've identified these patterns, you work with your HGA to change these patterns of behavior, isolate the root cause, and reclaim that part of your life, putting it in its proper place. Eventually, you'll find that you're not ruled by misfortune in areas of business, instead you're dictating through Mercury how your success in business will manifest in your sphere.

This can be applied to the other planets as well. Agrippa gives the following attributes to the planets in chapter xxxviii of Book 3:

By the seven Planets as it were by instruments, all powers are diffused into man from the Supreme fountain of good: by Saturn a sublime contemplation & profound understanding, solidity of judgement, firm speculation, stability and an immovable resolution: by Jupiter, an unshaken prudence, temperance, benignity, piety, modesty, Justice, Faith, Grace, Religion, equity, clemency, royalty; by Mars, truth; not to be terrified, constant courage and fortitude, a fervent desire of animosity, the power of acting and the practice, and an in-convertible vehemency of the mind. By the Sun, nobility of mind, perspicuity of imagination, the nature of knowledge and opinion, maturity, counsel, zeal, light of justice, reason and judgement distinguishing right from wrong, purging light from the darkness of ignorance, the glory of truth found out, and charity the Queen of all virtues: by Venus, a fervent love, most sweet hope, the motion of desire, order, concupiscence, beauty, sweetness, desire of increasing and propagation of it self; by Mercury a piercing faith and belief, clear reasoning, the vigour of interpreting and pronouncing, gravity of speech, acuteness of wit, discourse of reason, and the swift motions of the senses: by the Moon a peace making consonance, fecundity, the power of generation and of growing greater, of increasing and decreasing, and a moderate temperance, and faith which being conversant in manifest and occult things yields direction to all; also motion to the tilling of the earth for the manner of life and giving growth to it-self and others.

The Spirits of the Planets have their own hierarchy. Different Grimoires provide different interpretations, but for the sake of simplicity, each planet can be said to have an Intelligence that acts as a mediator between the lower realms and the higher realms, and a Spirit that acts as a mediator between the higher realms and the lower realms. The magician (generally speaking) works with the Intelligences on matters of spiritual growth, and the Spirits in matters of material manifestation. The Spirits, while extremely powerful, are placed under the authority of the Intelligences.

For Work that results in material gain, like fabulous riches, you might start by working with Your HGA to identify the best means to get the fabulous riches to manifest in your life, and identify the appropriate planet to work with. This could be Jupiter, if you want to get rich by gaining promotions and responsibilities in your career, or the Sun, if you want to discover fabulous riches that were previously hidden, or Mercury, if you want to get rich through quick-witted transactions. Your HGA will guide you to the appropriate planet.

Once you've identified the appropriate sphere, you'll want to ascend to the Intelligence of the sphere and enlist its aid in preparing you to receive the manifestation, and in getting its help in directing the Spirit to manifest the riches in the best possible way in the material realm. Then you would conjure the Spirit of the planet, and give it detailed instructions. the Spirits of the planets are incredibly powerful, but not necessarily intuitive. They'll often do what you say, not what you want. That's why it's important to work with the higher spirits first.

Now, if you're in a hurry, you can also choose to work directly with the lower spirits, those closer to the material realm. Each of the spirits and angels in the various Grimoires are usually listed with some reference to their planetary governor, and you would work these spirits through the authority of their higher-ups.

In the next section, I'll get into Talismen, the most effective means I've found to direct the rays of the planets into your personal sphere.

2.1 - The Lamp

The first post of the Practical section is mercifully brief, but I think it's important to include the Lamp in your list of required magickal tools. Its influence and usefulness will help with the application of the subjects that follow.

The Lamp is a tool I hadn't really used much before getting the vision of that Glyph that started this series of posts on the NP basics. Usually, I would light some appropriately-colored candles in my Work, and either let them burn out as part of the ritual, or snuff them and relight them later.

Then Modrocus posted a couple of experiments he had been doing using the Papryi Graecae Magicae (PGM) at the ritual_magic yahoo group. This was about a day or two before I had a revelation about the Glyph and the altar setup it implies. When the revelation came, the role of the Lamp became pretty clear.

In the PGM, the Lamp is used as a means to commune with the spirits. In some rituals, when the spirit is present, the magician or skryer can see their presence as a quality of the light around the Lamp that isn't there when the spirit isn't present. In other rituals, the Lamp is like a transmitter, with the wick being made out of a cloth with the spell written on it and then burned. I thought that was pretty cool.

Then I had the revelation of the Glyph, and it became apparent to me that the Lamp plays another role as well. In order to be effective in this role, the Lamp must be positioned outside the circle of the planetary talismen, representing the realm of infinite light that surrounds the divine darkness in which the Good dwells. This minor little detail has made a big impact in my Work. I never grasped the far-reaching effects a properly laid-out altar can have on your personal and magickal life. The altar is the representation of the macrocosm and the implements at your disposal to function within that macrocosm as a magician. Just setting up your altar properly results in a fundamental change in your life.

My "Lamp" is a tall brass candle stand, about 18 inches high. I have a tea-lite candle holder on top of this, and I can drop in a tea-lite before the ritual begins, and it has a really neat effect on the rest of the altar layout. It provides just the right ambiance for scrying in a crystal, and as I go through the various stages of the Work, I can check the Lamp to see if I'm where I need to be. If the Spirit of God is present, it shows.

In addition, I can use the Lamp as a transmitter through the use of tea-lites appropriately inscribed and anointed, following the guidelines of the PGM.

So in addition to the "standard" elemental tools a magician in the NP system has on their altar, I strongly urge you to include a Lamp. It completes your altar in a way that can't be easily described, but is almost instantly understood when implemented.

2.0 - Practical Sections

With the posting of Section 1.5, the basic philosophical foundations of the Neo-Platonic cosmology (as I understand them) have been laid out.

The next section of posts will be on the practical application of the system presented in the previous sections. In this next series, I'll be looking at the practical applications of the following aspects in a bit more detail:

• 2.1 - The Lamp
• 2.2 - About those Planets...
• 2.3 - The Joys of Making Talismen
• 2.4 - Elemental Kings
• 2.5 - Spirit Pots

• 2.6 - Them pesky demons are at it again...
• 2.7 - The Genius and the Evil Daimon

These sections will present the methodologies and the tools used in the magickal application of the NP system.

1.5 - While we're here: The Great Work in Action

Ok, so we've established what the Great Work "is" within the neo-platonic context in the previous installment of the NP Basics series. This post is about how it all unfolds in the life of your average Magician practicing the Great Work using the NP system.

1.5.1 - The HGA, Your Emissary from God

Ok, so there's a boat-load of talk about the HGA, what it is, and what it does on various message boards and web pages across the Internet. There's lots of talk in modern published magical books, too. Most of what you read is speculation, because people with opinions and writing talents haven't attained K&CHGA (Knowledge and Conversation with the Holy Guardian angel), but they don't bother to let that stop them from saying their piece.

Now, the phrase itself comes from the Sacred Magic of Abramelin the Mage. It was popularized by Crowley, predominantly, in the modern Western Mystery Tradition. The author of the Sacred Magic wrote the book to his second son because he could not pass on the mysteries of the QBL to him. The QBL had to go to the first-born son. He wanted his second son to have a mystical heritage as well, so he gave him the mysteries of the Sacred Magic. He states that the Sacred Magic can be derived from the QBL, but the QBL cannot be derived from the Sacred Magic.

In the NP magical system, we've seen that the basic premise is that of emanation. God unfolded itself throughout existence in hierarchical stages, each getting closer to the realm of Matter. The QBL is another manifestation of this type of philosophy. I've argued that the NP emanationist philosophy is the source of the QBL, that the Jews adopted the concepts and dressed them up in their own cultural symbols. There's evidence that can be found to support this view, or the view that the NP system was derived from the QBL, or that they developed from at the same time concurrently, in the same environment, drawing from the same sources. While various interpretations of the evidence can support different views, I personally believe the NP system is the source of the QBL, or at least the primary influence. There's just an awful lot of "coincidental" domination of the Jews by Greek influence at every major growth-point of the QBL.

So that's how the HGA, a symbol from a QBList, ties into the NP system I'm presenting. I've staid away from the QBL in this series of posts so far, but practically speaking, the HGA is the best-known representative from God in the modern Western Mystery Traditions. There's an Agathadaimon in more traditional Hellenistic writings that may correspond to the HGA, but I worked with my HGA before even knowing about the Agathadaimon, so anything I would say about that entity would be tainted speculation. I've got to stick with what I know.

The first thing you should do as a practicing magician using the NP system is make contact with your HGA. This entity is assigned to you at birth, and is responsible for all the spiritual initiations, authority, and Gnosis you achieve in life. It is your personal emissary from the Good, the One, the Source, God itself. Through K&CHGA, you get the attunement of your sphere to the point where you can work with the spirits from your position of authority as a representative of God in the material realm. It's "like" a new age spirit guide, in some ways, but the new age spirit guide model doesn't present the meat of the entity's interaction with you the way the HGA model does. Spirit guides in the New Age take on forms of animals and such, indicating they are "lower" in the neo-platonic hierarchical system than the angels. However, that being said, my HGA revealed it had taken on the form of a spirit guide earlier in my magickal practices to get me to the point where I could attain K&CHGA.

To attain K&CHGA, I used the ritual Liber Samekh as presented in Lon Milo DuQuette's The Magick of Aleister Crowley. Some people say it isn't the same thing at all, but they're honestly mistaken. The evidence to prove this is found in the Abramelin rite itself. You have to perform Samekh successfully to find the proof, but it's there.

After making contact with the HGA, your sphere is changed. You go through a Solar "initiation," to put it in Golden Dawn terminology. The result is the beginning of the experiential knowledge of your Race and Value as expressed by Plotinus. From this knowledge-based-on-experience, the authority to "command" the spirits is attained.

1.5.2 - Working with the Spirits

After attaining K&CHGA, the magician is ready (and strongly urged by the HGA) to begin working with the spirits. Spirit conjuration is the primary methodology of any magician's performance of the Great Work. I believe that every magickal act, whether ritual or contemplative, involves interacting with spirits in some way or another.

I started with the ten Archangels of the Sephiroth, because I was coming out of a primarily-QBListic background. After Working with the spirits for a little while, I realized that the Archangels of the seven classical planets were sufficient for my initial stages of the Work. Through them, I learned an incredible amount of knowledge. Their influence on my sphere changed the way I am able to see the world. Nothing spectacular (no auras, second-sight, remote viewing, psychic flashes per se), but totally and completely life-changing. The procedures for working with the spirits of the planets can be found in the Modern Angelic Grimore I wrote. It's remarkably easy.

In addition to the spirits of the planets, the spirits of the elements are also worked with in performing the Great Work. These spirits rule over the physical manifestations of the rays of the higher spheres. A fire elemental might be put in charge of manifesting a Jupiter ray into someone's life, resulting in an unexpected and tumultuous promotion at work. For mundane operations, I'm learning these are the best spirits to work with in the overall hierarchy of spirits.

The spirits of various grimoires are also worked with in the Great Work. The spirits of the Goetia in the Lemegetton, for example, can be considered to be "earth-bound" spirits, that is, residing closer to the material realms than to the heavenly realms. These entities have been documented and worked with by many magicians, and the methods of contacting them are recorded and pretty clear. Their attributes are documented, and once contacted, their abilities and limitations can be discovered simply by asking the spirit itself.

1.5.3 - The Goal of the Great Work in the NP System

You've no doubt noticed that the Work consists of both the spirits of the higher realms and the spirits of the lower realms. If the Great Work were all about transcending the material realm, there would be no reason to work with the lower spirits. The fact is, however, that we aren't born in the flesh to transcend it. We are here to learn our role, and then to exercise our authority to meet our obligations.

Humanity is the nexus point between the material realm and the spiritual realm. We are the stewards of the manifest realms. In the NP system, we stand at the gateway between the realms, seeking union with the divine in order to fulfill our assigned tasks while we appear to be separated from God, and directing the forces that manifest as reality according to the Will of God. We learn this Will by going up through the hierarchies and learning our place in existence, and then we implement the plans through the direction of the spirits. The higher up you go, the more responsibility you get, and the more Work in the physical realm you'll have to accomplish.

The Goal of the great Work is not to leave the flesh and material realms behind. We do that when we die anyway. The Goal is to find your place in the scheme of things, your reason for being, and in finding that, you gain the ability and authority to accomplish it. The accomplishment of the purpose is the practical manifestation of the Great Work.

1.4 - Why we're here: The Great Work in a NP Magical System

"The Great Work"

A magnificent phrase, eh? I've been through so many online debates and discussions about what the Great Work "means" that it isn't even funny anymore. There are those who say it is "attaining unity with the Divine." Others say it is becoming the best that you can. Others believe that every person has their own Great Work to do, that it represents the climactic culmination of all their efforts in life.

In tracking back the phrase in the esoteric community, I ended up back with the Alchemists. I'm sure it goes back further, but I'll be damned if I can find it quickly enough to suit my purposes. If anyone has any input, let me know. :)

Briefly (there's never enough space), the alchemists saw the Great Work as the accomplishment of a spiritual transformation. It was also seen as the creation of the Philosopher's Stone, a stone with the ability to turn base materials into finer materials, like lead into gold. One couldn't create the Philosopher's Stone (in my opinion) without being spiritually "advanced." The process of creating the Stone resulted in perfection of the person, and the perfection of the person resulted in the ability to create the Philosopher's Stone. There's a marriage here of physical and spiritual elements that I think cannot be stressed enough.

In the NP context, the goal of man is to return to the Source of all that is. The Philosophers saw this as a process of training the mind to think like a God without becoming falsely proud. Plotinus speaks of the process as "reclaiming" our race and value. I love that concept.

It isn't becoming a God. (You're already a manifestation of "the good," "the One,", the "Primum Mobile.) It's a process of remembering where you came from. The reason we forget is detailed in the Enneads of Plotinus, and they're an interesting read. Here's an excerpt that pertains:

The souls peering forth from the Intellectual Realm descend first to the heavens and there put on a body; this becomes at once the medium by which as they reach out more and more towards magnitude [physical extension] they proceed to bodies progressively more earthy. Some even plunge from heaven to the very lowest of corporeal forms; others pass, stage by stage, too feeble to lift towards the higher the burden they carry, weighed downwards by their heaviness and forgetfulness.

It must be noted, however, that the process of reclaiming your race and value did not result in anything spectacularly fabulous. No lightning from the fingertips, or flaming balls of fire. What it did result in was a change in the person you are. It changed the way you acted and interacted with everything else. You remember you're here, and what your purpose in life is, and you're suddenly happy. You see things as a whole complete process, and the painfulness of the moments of sadness are gone, and the moments of joy are magnified. It was a philosophical change, a change of Mind that brought satiety, the sense of being completely fulfilled. And if you weren't feeling that way, you had forgotten, and needed to remember where you were from again.

So Plotinus said there's two ways to remember your race and value. You honor the things of the higher realms, and dishonor the things of the lower realm. I've turned this into contemplative method of getting rid of the horrors of embarrassing moments that haunt you through your life. I broke it into steps at this link.

Asceticism blossomed under this philosophy. Lots of Gnostics took up the mantra of "all things material are evil and to be avoided at all costs." This view influenced a lot of the early Christians too. Paul, for instance, expresses a lot of ascetic notions in his writings in the New Testament.

Iamblichus, meanwhile, took things down a different route. He was a "wee bit" more into the Hellenised Egyptian mythology. As a result of his initiations into the Egyptian mystery cults, he participated in the Theurgic rituals of his day. I'm intensely jealous. In the Theurgia, his reply to a letter written by Porphyry criticising Theurgy, he explains how working with the spirits of the higher realms results in getting you closer to God. He also talks about our role in this realm of matter.

Each level of emanation from the higher realms, each entity that inhabits the realms between the material and the Source of Everything has a purpose. We are also manifestations, and our greatest goal as magicians is to remember that we are emanations of God, and that we are here to do something specific. The Work is a process of learning what that purpose is, and how we're supposed to accomplish that purpose while we're here. We work with the spirits to learn, and to be raised higher and closer to God, but at the same time, we guide them in their ministrations here in the realm of matter, because that's where we fit into the hierarchy of things. We're the part of God that came to matter (Nature) out of love for matter to care for the matter and minister to it through the actions of the spirits on the higher levels. The trick is to remember what we're here for, and then to learn to do it the right way.

1.3 - Spirits: Why we Work with 'em, How we Work with 'em

Now we get to the meat of the matter. This is the post I've been looking forward to the most. Unfortunately, I'm short on space. My posts don't look that big when I'm writing them, but then they're huge on the blog. So I'll keep it brief. I did finally break down and get a web page hosting service, so as soon as I find some nifty templates and do some quick-and-easy plug and play stuff, I'll have a web site with the space for the huge rambling dissertations I'm fond of writing. :D

1.3.1 Why we Work with Spirits

In the NP system, we work with the Spirits to get closer to God. This is called theurgy. Iamblichus, a student of Plotinus, taught that working with the Spirits was a means to purify the sphere of the magician, to make it more like the creator and less like the created. He recognized that when you conjure up a Spirit of Mars, you're working with something on a higher level, and that something has emanated something into what eventually manifested as you. As it is more pure, its very presence close to your sphere purifies your own sphere, restoring a bit of the awareness of your own divinity as it relates to the powers over which that particular spirit presides.

From the Thomas Taylor translation of Iamblichus' Theurgia (Section IV, Chapter II):

"in all theurgical operations the priest sustains a twofold character; one, indeed, as man, and which preserves the order possessed by our nature in the universe; but the other, which is corroborated by divine signs, and through these is conjoined to more excellent natures, and is elevated to their order by an elegant circumduction, this is deservedly capable of being surrounded with the external form of the Gods."

1.3.2 How we Work with Spirits

The chapter I quoted from is in the context of how Iamblichus taught that we are to interact with spirits. He was addressing an argument from Porphyry, another of Plotinus' students, who asked why a mortal man in the flesh would be conjuring a "superior" being, and then turn around and command it to act in such-and-such a way. (I'm paraphrasing.)

The answer is that while yes, we are in matter, we are of two parts, the divine and the flesh. The divine aspect of the self has existed since before time within the One, God, who emanated down through all the spheres and beings and elements and stuff-ness of everything. The flesh part is the temporary shell of the divine spirit, and while it is lower in the cosmic hierarchy, the spirit within is still in authority. Therefore, the magician surrounds the material part of themselves with the symbols of the divinity within, and petitions the higher spirits to appear using the classic conjuring orations from such sources as the grimoires.

The Spirits (and I'm including the "gods", angels, daemons, elementals, or whatever else you would call them in your branch of the Western Mystery Tradition) appear in response to the conjurations because they have a vested interest in us. They are also aspects of the One within us. However, they are of a different form, and in that form they don't have the same capacities that we do. Once they appear, the differences in the nature of our emanation place us in a position of authority over the spirits, and we are therefore able to "command" the spirits to do our bidding.

Now, the basic formula for conjuring the spirits is pretty simple. You surround yourself with the things the spirit has an affinity for. Each Spirit is responsible for emanating an aspect of the One into the material realm. Michael, Archangel of the Sun, is responsible for emanating the things that manifest with a solar nature in the material realm. You surround yourself with the things that have solar properties to get his attention, and conjure him in the name of God that describes his function. Now, as a ceremonial magician, the best thing you can have that Michael has emanated into the material realm is his Arch-angelic Seal that he revealed to magicians. His Name itself is the means he revealed himself to this realm. The names of God that are associated with him are also revealed by Michael into this realm in order to establish contact with him.

So to conjure Michael, you would burn some solar incense, wear the seal of Michael, and conjure him in the Name of God associated with the Sphere of the Sun, "Eloahv Da'at." (Your spelling may differ.)

When Michael appears, you explain your need, remembering that yes, he is superior to you in some ways, but at the same time, you are his boss (in a VERY spiritual way). That is to say, the Logos within you is the same Logos Michael receives his orders from.

If you're commanding the Spirits from the authority of the part of yourself that is the flesh, you'll get no results. As a Christian, I know that I have been "Born of the Spirit," and my work with my HGA has resulted in certain "initiations" that grant me the awareness of my Roles and Responsibilities in the cosmic Hierarchies, so I'm getting pretty consistent results. Not always pleasant from the mundane perspective, but always beneficial.

So the proper order for conjuring the spirits is:

1. Be right with God. Know your place. "Thou hast cleansed me with hyssop, oh Lord!" and so forth. (Remember in the Exorcist, the priest kept chanting, "It is not I, but Christ that commands you...")
2. Have the seal of the spirit.
3. Call the spirit ("Thou spirit Michael, I conjure thee here in the name of the Most High God, in the Name of the Logos-Christ within me, in the name Eloahv Da'at, to appear before me in this crystal...")
4. Explain what you want from the Spirit. (It's a good idea to get confirmation that it understands, and have it tell you how it will do what it agrees to.)
5. Thank the Spirit, and bid it to go and do as it agreed.
   

Pretty simple, eh? The rest of the details of the various grimoires and such are cultural necessities. That means that when the Almadel has you make a Beeswax Angel Conjuring Device, you make a Beeswax Angel Conjuring Device if you expect to work with the spirits of the Almadel. If you're OK with working with something that MIGHT be LIKE the spirits of the Almadel, you're free to make your own adaptations, but the results are not guaranteed. I must stress, you have to know the rules before you can break them.

The three stages of Classical Education are Grammar, Logic, and Rhetoric. Grammar teaches the basic building blocks, Logic teaches how the building blocks are assembled, and Rhetoric is the stage where you demonstrate your understanding of the pieces and parts by assembling them in new ways.

The Grimoires themselves contain the elements of the Grammar stage. Lists of spirits. Means of contacting them. Performing the instructions in the Grimoires brings you in touch with the Spirits, who teach the Logic stage. After you've been "initiated" you advance to the Rhetoric stage, and you can make things up based on your knowledge and understanding gained from research AND experience. I'm not advocating Chaos Magick, but I've grown to recognize the elements of Chaos Magick that are true in certain contexts. What gets on my nerves is that Chaos Magick doesn't give magicians the context necessary for success. :sigh: I've ranted on that elsewhere.

So much for keeping it brief. :)

1.2 - The Harmony of the Spheres

Let me just say up front, I really hated writing that last post. There's so much more than I can cram into a blog post, it's unbelievable. There are competing doctrines of creation, details given in the Bible that complement the details given in Trismegistus, and Timaeus, the thing that started it all... Man. There's a lot that was left out.

But that's yesterday. On to the Harmony of the Spheres!

Ok, so there are spheres within spheres that make up the cosmos beneath the realm of God. There's a sphere that has the constellations on it, a sphere for each of the planets, a sphere for each of the elements. That's 12 spheres (hey, just like the number of astrological signs, and the number of tribes of Israel, and the number of apostles, and the hours in a day and in a night, what a freaking coincidence!).

Now, there aren't "really" 12 spheres. The realm of sensate matter is the lower four spheres, the Elemental spheres. This sphere includes all the physical planets, stars, galaxies, universes, etc. that we can and cannot see. Anything that can be sensed exists in the realm of the the elements, below the sphere of the Moon. So the elemental spheres, while separate and harmonious, blend together in to what we see. This is the sphere that can be sensed through our material bodies.

This leaves us with nine spheres.

The uppermost sphere, that of the constellations, can be viewed as an influencing sphere as opposed to a governing sphere. Agrippa talks a bit about this, and I won't get too into details here, but suffice it to say that in my understanding of the NP cosmology, the sphere of the constellations is more like a barrier between the realms of the planetary governors (ending at the horizon of Saturn's Sphere) and the unknowable Realm of God (Light-Divine Darkness-the One). The constellations can be viewed as pinpricks in this barrier through which the infinite light enters the realms of sensation, guiding or feeding as it were, the planetary governors.

Now, what we've done here is divided the infinite universe into three parts. The material realm is composed of the four elemental spheres. The seven spheres of the planetary governors is the second part, ending at the barrier of the Sphere of the constellations. Then there's the infinite realm of God, the third part.

Only the realms of the Planetary Governors and the sphere of matter can be known and interacted with consciously. The higher realms may be experienced, but being before the utterance of the Word, they can't really be put into words.

The realms of the Planetary Governors exist as pure emanations of God. When viewing God they are passive, but when viewing the realm of Matter, they are active. Being pure in their essence, they are in perfect harmony with one another and with God.

Now I'd like to introduce a concept I've used on the blog before (and I don't claim to have created it), the Sphere of the Magician. Every one of us live in a bubble of perception. Lots of us have read various modern and classical interpretations of existence as being only that which can be sensed. Plato would have totally grokked Robert Anton Wilson, God rest his heathen soul. (I doubt Wilson could grok Plato though.)

This bubble of perception is our sphere within the material realm. The Emerald Tablet of Hermes, an excellent model of magickal operation on its own, bears the famous inscription "that which is above is like that which is below." Metaphysically speaking, we have a spiritual sphere of sensation as well as the physical sphere of sensation. They aren't really separated, but it's easier to think of them as parts than to try to understand the whole all at once. A seed in an orange doesn't look like an orange, and neither does the peel by itself, but they're still one thing.

The basic intent of the magician is to get their "sphere" into harmony with the other spheres. Neo-platonic philosophers had various ways of achieving this. Plotinus taught that you could instantly "get it" by realizing your race and value. He talks about denigrating the things of matter and exalting the things of spirit. He, and Porphyry, his student and biographer, believed that the way to reclaim your race and value was through Philosophy, and various forms of Asceticism. Later, some Gnostics and others would take the idea to the extreme. They believed that because matter distracted you from your goal of reuniting with God, then all matter must be inherently evil. Some went so far as to claim that the God that created Matter must have been evil.

Poppycock.

Plotinus had another student that helped us out immensely as magicians who would rather do something more active than philosophize all day, and who wanted to participate in the matter-manifestation process in a more hands-on way. This guy was Iamblichus. He taught that theurgy, magickal arts and working with spirits were viable means of reuniting with the One, God. That's the core of this system I'm presenting here. There are various other branches of neo-Platonism, and lots to discuss and argue about, but as magicians working with the NP magickal system, the point is to harmonize our sphere with the spheres above, and through this harmony to join with God, accomplishing what later became known as the Great Work.

1.1 - Neo-Platonic Cosmology: How it all started

The best encapsulation of the neo-platonic creation story that I've found is in the second book of The Divine Pymander by Hermes Trismegistus. (Check wikipedia for his story.) It's simple and to the point. Christians like myself can identify enough parallels to feel at ease in it, and pagans can find enough other gods that they feel at home too. It's a good little catch-all, and that makes sense when you study its history. Which I won't get into here. Lots of debate around that, and I'd rather get to the point.

My understanding of the Creation is summarized below. There's a lot I'm omitting for the sake of brevity, but I'm trying to include the required pieces to to lay the foundation.

In the beginning was essential God-the-Progenitor, dwelling in perfect darkness. In that perfect darkness, God still and always resides. By its nature, it radiates infinite pure light. In The Divine Pymander, Hermes Trismegistus is given a vision of the creation of the material realm. Within the infinite light appeared a great darkness, smoking as if it were on fire. Out of the infinite Light leaped a "certain holy Word" and that Word joined itself to the dark mass of Matter that came into being. When this holy Word entered the darkness, it separated into four realms. Fire leaped up highest to be closest to the infinite light, followed by Air, which seemed to hang between the Fire and Earth-Water below.

Next, God created a Workman. This guy created seven governors, each with their own sphere, surrounding the realm of Matter. When he did, the Word leaped up and cohabited with the Workman. This being then set the spheres in motion, and the natural world began creating animals and plants.

Meanwhile, God made Man in Its image. Man was the honored and beloved "brother" of the family. Eventually, after a lot went down (!), Man entered the physical realm, containing a spark of infinite God within, and yet also loving and being loved by Nature. We're of two natures, mortal and immortal.

The Spark of the Divine within is what gives us "authority" overt the elements, and the seven governors. We're coworkers though, not masters and slaves.

Ptolemy laid out the basic cosmology of the NP system. the center sphere is the sphere of Earth, surrounded by the sphere of Water, then Air, then Fire. Then there are the seven Spheres of the Governors. Each of these spheres is associated with one of the seven planets of classical astrology, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn. Around these are the "fixt stars," whose influence is primarily felt through the planetary governors. Beyond the stars is the realm of eternal light, and sitting in eternal divine darkness, radiating the light outwards and willing existence is the Primum Mobile, God.

The following image displays the basic cosmology of the NP system:

As you can see, there's a hierarchy involved. Each successive sphere heading "outward" brings you further from the realm of matter and closer to the realm of God. This is the structure brought to Creation by Logos, the "holy Word" created or uttered by God-the-Progenitor.

Neo-Platonic Basics

I'm in a bit of a quandary. I've been Working with this syncretic Judeo-Christian/Neo-Platonic system for a while now, based almost entirely on the the Three Books of Occult Philosophy by Agrippa. I've been reading Plato's Timaeus, Plotinus' Enneads, and Hermes Trismegistus' s The Divine Pymander, and it's all been percolating into a pretty strong brew within my sphere. When I hit the epiphany the other day, I was convinced it was a Universal Truth. I still think it is, but the general responses I'm getting are telling me that it's not making the kind of impact it had on me. In general, I've gotten a "yeah, ok" response, when this is the Key to Everything! Well, at least I think it is. For me, definitely, and I don't see anything that would indicate it wouldn't be the Key to Life, the Universe and Everything in a much more more meaningful way than "42."

So, with that in mind, I'm going to be posting a series of NP basics so the foundation of the system I'm working with is documented somewhere. I see another book in my future. Distant future. :)

So here's the planned outline:

1.0 - Overview Sections:

• 1.1 - NP Cosmology: How it all started
• 1.2 - The Harmony of the Spheres
• 1.3 - Spirits: Why we Work with 'em, How we Work with 'em
  
• 1.4 - Why we're here: The Great Work in a NP Magical System
• 1.5 - While we're here: The Great Work in Action

2.0 - Practical Sections:

• 2.1 - The Lamp
• 2.2 - About those Planets...
• 2.3 - The Joys of Making Talismen
• 2.4 - Elemental Kings
• 2.5 - Spirit Pots
• 2.6 - Them pesky demons are at it again...
• 2.7 - The Genius and the Evil Daimon

3.0 - The Glyph

• 3.1 - Putting it all Together: The Altar Layout Revisited
  
• 3.2 - Using the Glyph in Practice

That should cover everything. Along the way, I'll probably have other posts to make about some pet projects. I've started making my Genius/Evil Daimon... thing. Yeah, I'll get to details on that later.